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J. Lee Thompson’s 1957 working-class drama showcases a tour de force performance from Yvonne Mitchell as the slatternly housewife of the title whose uptight husband (AnthonyQuayle) is lured away by a younger woman (Sylvia Syms).
It’s relentlessly downbeat and claustrophobic, but Ted Willis’ script avoids easy recrimination.
Mitchell’s Amy Preston, warm-hearted, chaotic and close to a breakdown, still feels startlingly modern, and the scene where a rainstorm scuppers her attempt at self-improvement is heartbreaking.
Her performance deservedly netted her a Silver Bear at Berlin.
Invincible proves how comic accurate episode 7 is with a mind-blowing side by side comparison
Despite more than $60 million in investments, Shroud-backed FPS Spectre Divide and its dev are shutting down after the first season failed "to cover day-to-day costs"
Devil May Cry TV show creator calls Kevin Conroy's posthumous role in the Netflix series an "amazingly nuanced performance" and confirms "no AI" was used
