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The magical beauty salon of Nadine Labaki’s Caramel has been replaced in her second feature by a war-torn Middle East village, where Muslim-Christian tension grows ever more volatile.
The local women, led by the beautiful widow Amale (Labaki), hire Ukrainian strippers to turn their menfolk away from the path of violent retribution.
Balancing sectarian tragedy and earthy humour is never easy, and Labaki crams in too many stereotypes.
A romantic song-and-dance sequence suggests she should perhaps have turned her well-intentioned fable into a full-blown musical.
Dark Souls' toughest boss duo has been transformed into some stylish glassware, which feels like fitting revenge for all the times they killed me
Marvel star Anthony Mackie has a surprising favorite superhero – and no, it's not Falcon or Captain America
An extended version of one of the past decade's best anime movies is now streaming for the first time ever and it's got 39 minutes of footage "never before seen outside of Japan"
