Not for the first time, The Walking Dead pulled a fast one with its latest episode. Truthfully, "Spend" didn't look especially promising, at first. It's positioned a couple of episodes before the season finale (ie cost-cutting time) and while we've been wondering what the deal was with Gabriel, the thought of an episode centred around him wasn't exactly a tantalising prospect. Happily, "Spend" turned out to be something else entirely.
It all looked straightforward enough: Glenn, Tara, Noah and some of the Zoners went on a supply run beyond the walls of Alexandria. Meanwhile, Rick and the others got to know the locals a bit better. It's still slightly disorientating seeing the gang surrounded by seemingly nice people again. The episode starts with Noah bonding with Deanna's husband Reg, who seems like a stand-up guy. Likewise, the scenes between Carol and young Sam were really quite joyful. He's a brave kid going back to her after last week's threats and you can see her iciness beginning to thaw.
Shamefully, my Imminent Disaster Detector didn't go off here. I didn't initially realise that these scenes were just the preamble to two fairly brutal twists. The supply run quickly took on a nightmarish tone as Aiden the Douchebag shot an armoured zombie – and accidentally detonated some explosives. He was rocketed across the room, impaled on spikes and then eaten alive for good measure. Then Noah, Glenn and Nicholas found themselves trapped in some revolving doors, surrounded by walkers.
You could question the logic of this scene. As plans go, hiding behind moving glass was never a great idea. It's clearly designed to establish Nicholas as a coward – and to set up the episode's big setpiece: Noah's death in front of Glenn.
I was dismayed by Ty's exit earlier in the season, especially coming straight after Beth's. Intentionally or not, it felt like a “Gotcha! Bet you weren't expecting that...” moment. The show had already been so emotionally draining that it barely registered. Noah's was better handled. It's placement before the finale was surprising and it illustrated that even simple missions can go badly wrong. It's not going to be a death that fans mourn for long – we just didn't know Noah that well – but it worked.
There will be consequences, too. With Aiden and Noah gone, our people and the Zoners have both been badly wounded. Then there's the matter of Pete. The revelation that he is an abusive husband and father – assuming that Carol is, in fact, correct – means that he will have to be dealt with. Carol has jumped straight to the most extreme option and Rick looks more than happy to oblige. Deanna is already starting to question just what she's bitten off by handling so much responsibility to the likes of Maggie, Abraham and Rick, and now she's just lost her son. Then there's Gabriel, sneaking in to pour Miracle-Gro on the seeds of her mistrust.
So I guess the feature-length season finale isn't going to be 90 minutes of Rick and Carol finally chilling out and finding Mrs Neidermeyer a pasta maker, then?
Hey You, What's The Sound?
The dance track that the group play in the van before heading out is "Internet Friends" by Knife Party. But wait... that track didn't come out until 2011 – a year AFTER the end of the world. This presents us with three plausible scenarios: 1) One of the survivors is friends with the Australian production duo and got hold of an early copy of the track before the end of the world. 2) Somehow Knife Party themselves have survived the apocalypse, found an electricity supply and are making music (hell, maybe they're in Alexandria as we speak, working on their new album). 3) We are thinking about this far too much.
The Walking Dead airs on AMC in the US on Sundays and Fox in the UK on Mondays.
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Genre | "Action" |
Description | We're still shocked at how great Telltale's newest series is. The gameplay is tense and great, the story keeps getting better, and the unique visual style continues to blow us away. We're hungry for more. |
Platform | "PS Vita","PS4","PS3","Xbox 360","PC" |
US censor rating | "Mature","Mature","Mature","Mature","Mature" |
UK censor rating | "","","","","" |
Release date | 1 January 1970 (US), 1 January 1970 (UK) |
Will Salmon is the Comics Editor for GamesRadar/Newsarama. He has been writing about comics, film, TV, and music for more than 15 years, which is quite a long time if you stop and think about it. At Future he has previously launched scary movie magazine Horrorville, relaunched Comic Heroes, and has written for every issue of SFX magazine for over a decade. He sometimes feels very old, like Guy Pearce in Prometheus. His music writing has appeared in The Quietus, MOJO, Electronic Sound, Clash, and loads of other places and he runs the micro-label Modern Aviation, which puts out experimental music on cassette tape.