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Nabbing five Japanese Oscars, Lee Song-il’s film is a chilly examination of casual cruelty in its many, mundane forms.
Introducing violent misfit Shimizu (Satoshi Tsumabuki), it mitigates his crimes by placing him among even more despicable characters and adopting new lover Mitsuyo’s (Eri Fukatsu) rose-tinted view.
Like early Haneke without the intellectual rigour but enlivened with beautiful moments of realisation, it’s a film that becomes harder to take the more it sides with its “sensitive” star.
Surely raping/killing people is reprehensible whether you cry at sunsets or not?
Devs behind the legendarily horny Dead or Alive series take "strict action" against nearly 3,000 pieces of content made for "adult purposes" every year
Call of Duty dev's Dino sword fighting game that started out as a joke secures 10k wishlists in its first day
Veteran analyst expects Switch 2 to be "a massive success," but doesn't see it matching the "outlier" that was the Switch 1: "It could happen, but it's not likely"
