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Nabbing five Japanese Oscars, Lee Song-il’s film is a chilly examination of casual cruelty in its many, mundane forms.
Introducing violent misfit Shimizu (Satoshi Tsumabuki), it mitigates his crimes by placing him among even more despicable characters and adopting new lover Mitsuyo’s (Eri Fukatsu) rose-tinted view.
Like early Haneke without the intellectual rigour but enlivened with beautiful moments of realisation, it’s a film that becomes harder to take the more it sides with its “sensitive” star.
Surely raping/killing people is reprehensible whether you cry at sunsets or not?
"Minutes after Palworld released," Pocketpair was already getting game pitches from "some really big names" before it even set up its own publisher: "No one has money at the moment"
Palworld dev "secretly" brought a game it's publishing to an event that's "not like anything we've been involved in" and reactions are "very positive"
After preserving the AI ghost of a fan's late brother, Tekken 8 boss says it might be a glimpse of the future where you don't "need an opponent who is human that has the exact same skill level"
