Marianne Eloise
Marianne Eloise works as a freelance journalist covering film, TV, wellness, digital culture, money, and music, and a variety of other topics. You'll find her bylines in a variety of print and online publications, such as 12DOVE, The Cut, The New York Times, Vulture, i-D, and Dazed.
Latest articles by Marianne Eloise
The making of Jackass Forever: "We abused each other more than ever"
By Marianne Eloise published
Features Johnny Knoxville, Steve-O, and the rest of the Jackass Forever gang tell us about getting old and staying stupid
How The Addams Family Values inverts the ideal American household to make for the perfect Halloween movie
By Marianne Eloise published
Features This Halloween, make sure you watch Addams Family Values
Jackass 3 is a beautiful snapshot of friendship
By Marianne Eloise published
Features As Jackass 3 turns 10, we look back on the threequel that brought the once monumental franchise to an end
The 25 best summer movies that will take you on a warm, sunny holiday
By Marianne Eloise published
Features We look at the best summer movies to transport you somewhere sunny
Inside the misunderstood world of Disney Parks fandom
By Marianne Eloise published
Features With The Imagineering Story taking us behind the scenes at Disneyland, we meet the adult Disney fans who cannot get enough of the Happiest Place on Earth
15 Long TV shows to really get into when you have some time on your hands
By Marianne Eloise published
Features Sometimes you just need a long TV show to spend quality time with...
Why we need a new Wes Anderson film – now more than ever
By Marianne Eloise published
Features Wes Anderson simplifies things that rarely are: family fights, deaths, unrest. His movies are the escapism we crave
How Girls kickstarted a great decade for female comedy and drama
By Marianne Eloise published
Features While Girls may be controversial, it helped pave the way for dozens of distinctly millennial stories to be told on the small screen
Where the Wild Things Are at 10: The best movie about childhood not for children
By Marianne Eloise published
Features Spike Jonze's film was criticised upon initial release for being too dark – but it was never intended for kids
Fight Club at 20: Why we shouldn't take David Fincher's masterpiece so seriously
By Marianne Eloise published
Features Toxic masculinity, absurdist humour, and homoerotic overtones make Fight Club more than just a movie for edgy film students
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