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A mesmerising opener sees family man Tom (Tom Fisher) inexplicably up sticks from suburban Birmingham to pursue a life on London’s mean streets.
Into his solitary world crashes motormouth man-child Aidan (Aidan Gillen), who’s as buoyant as Tom is troubled.
If writer/director Jamie Thraves overdoses on ambiguity – Tom’s motivations are left unexplained to an extent that distracts rather than intrigues – the yin-yang central dynamic crackles with heart and humour.
Gillen’s manic turn is the attention grabber, but Fisher’s quietly wounded man-on-the verge is a solid anchor.
I've seen enough: Assassin's Creed Shadows will beat Black Flag as my favorite AC game as Ubisoft says it lets you "Naruto run" as the "fastest Assassin" it's ever made
Marvel reveals its full slate of March 2025 comics and covers featuring the Avengers, the X-Men, Spider-Man, and more
After 6 years, Frostpunk 2 dev's unannounced game is canceled because it was conceived "under very different market conditions" when story-driven games "held stronger appeal"
