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Last time Patrice Chéreau stepped behind the camera, blood ran red in 16th-century Paris. In his follow-up to La Reine Margot, there's only one corpse, it's the present day, and the brutality is purely emotional.
The relatives, lovers and so-called friends of painter Jean-Baptiste Emmerich (Jean-Louis Trintignant) gather for his funeral. As they travel to the cemetery, the hand-held camera sticks close to their faces, highlighting the friction between them. This pressure-cooker atmosphere relaxes in the vast landscapes of the burial ground in Limoges, where the complex web binding these alienated individuals becomes clearer.
Then it's time for the wake and a metaphorical journey: a long, bitter night of confessions and accusations which bring the group's fears and desires to a head.
Chéreau elicits an awe-inspiring ensemble performance from the cast, but also allows each performer to shine, making for world-class acting in every frame.
Sony isn’t ready to wheel out 60fps Bloodborne just yet, but it is prepared to help Dark Souls and Elden Ring dev's parent company pump out 9,000 original IPs by 2027
Rockstar literally just took down a Liberty City GTA 5 mod, but that's not stopping these modders porting Vice City into GTA 4 - and they might just get away with it
Marvel Rivals still can't escape the Overwatch comparisons as it introduces a very familiar limited-time mode for its Spring Festival event: "Can't believe we're getting Lúcioball again"
