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Pier Paolo Pasolini's take on Marxism was always defiantly off-centre; ditto his take on religion.
Never more so than in his 1968 Theorem , where an enigmatic visitor (Terence Stamp) infiltrates an affluent Milanese family and seduces them one by one – father, mother, son, daughter and maid – before vanishing as mysteriously as he arrived.
Christ or Devil? Political allegory or religious fable? Scathing social comment or pretentious indulgence? The jury’s still out. But Pasolini creates an ethereal mood – and Stamp, smiling ineffably, has never been better.
Fable 4 reportedly has Witcher 3-like combat, CDPR DNA, and a whole lot of polish for an alpha build
William Shatner 'returns' as Captain Kirk in emotional new Star Trek short film, and it might be one of the best examples of de-aging we've seen yet
Valve was "pretty close to going bankrupt" until it was saved from a pre-Half-Life 2 lawsuit by a summer intern who happened to major in Korean language studies
