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Pier Paolo Pasolini's take on Marxism was always defiantly off-centre; ditto his take on religion.
Never more so than in his 1968 Theorem , where an enigmatic visitor (Terence Stamp) infiltrates an affluent Milanese family and seduces them one by one – father, mother, son, daughter and maid – before vanishing as mysteriously as he arrived.
Christ or Devil? Political allegory or religious fable? Scathing social comment or pretentious indulgence? The jury’s still out. But Pasolini creates an ethereal mood – and Stamp, smiling ineffably, has never been better.
As some analysts "hope" GTA 6 will normalize $100 games, one Baldur's Gate 3 dev points out that "prices haven't risen with inflation"
Leading analysts predict the Nintendo Switch 2 could shift anywhere between 14 million and 20 million units in its first year - if Nintendo can keep up with demand
30 years later, Fallout creator Tim Cain is searching for a legendary D&D player who cheesed an entire competitive dungeon with a lightning-fast Monk build
