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An Italian anti-fascist (Andrea Calabrese) is en route to the Spanish Civil War… when a hole in time transports him to the present day. Yet the locals are strangely unperturbed; in this sleepy, pious village, they assume he’s an angel. Similarly, Jonathan Cenzual Burley’s laboured magic-realist fable isn’t interested in mining the possibilities of time travel drama.
Instead, the film wanders aimlessly through a whimsical patchwork of slapstick, romance and pretty scenery, while Burley batters his one idea – that in rural Spain, little has changed since the war – into submission. A lost opportunity, and the mercifully brief running time suggests the filmmakers know it.
Ahead of GTA 6, Take-Two CEO says he’s “not worried about AI creating hits” because it’s built on recycled data: “Big hits […] need to be created out of thin air”
Getting Over It creator Bennett Foddy threatens the world once again: If you want Baby Steps to be a brutal rage game, "you can inflict that on yourself"
A Simpsons Hit and Run Remake will probably never happen – and I don't want it to
