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Should authors adapt their own books? Shamim Sarif’s tome-to-flick tale of budding passion between two Indian women in ’50s South Africa suggests not: her stiff, stilted, soap-froth spin on forbiddenromance clichés views like a lifeless addendum to her novel.
Lisa Ray is a put-upon wife whose feelings flicker for a feminist café owner (Sheetal Sheth). Racial and sexual tensions are many, but the leads merely play to repressed/forthright type and Sarif’s soft-focus direction mutes passion.
Intimacy, nuance and emotional punch are conspicuous only by their absence. Dreary.
Kevin Harley
Final Fantasy 14 is coming to mobile so sprouts can experience the "grandeur of the original's story and combat," and card game sickos like me have another way to play Triple Triad
As Remedy nearly breaks even with Alan Wake 2 sales, Sam Lake tells investors "we strive to create commercial hits" but "we must never lose" the studio's special sauce
DC says Absolute Batman is already the best-selling comic of 2024
