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Asghar Farhadi’s follow-up to the terrific A Separation sees him moving from Iran to France.
Directing through an interpreter, he’s managed to coax a devastating performance from Bérénice Bejo (who took Best Actress at last year’s Cannes) as a serial monogamist mother.
Radically u-turning from the breezy charm of The Artist , she saves the film, mostly because its plot – Iranian husband (Ali Mosaffa) returns to France to divorce Bejo’s Marie, secrets are revealed – comes dangerously close to perpetuating rational man/hysterical woman stereotypes.
And however much the arthouse trappings try to hide it, the silly late act twists belong on an episode of EastEnders.
Over 40 years after its anime debut, Disney Plus is reviving this adaptation of a beloved manga
Stalker 2: Heart of Chornobyl has a brutal autosave system which is quite literally killing me
Dragon Age creator reveals that one of the RPG series' most iconic characters was originally cast thanks to a rendition of Baby Got Back
