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Thirty years before his kinetic Shine A Light, Martin Scorsese redefined rock flicks with a concert movie shot from a 300-page script in imposing 35mm by pro cameramen like Laszlo Kovacs.
The gig is root-rockers The Band’s San Francisco farewell in 1976, “a kind of elegy”, says Scorsese, for a band and an era buckled by drugs and time. Members seem blitzed in interview segments but the gig is alive and momentous.
Joined by mega-stars (Bob Dylan, Joni Mitchell, Van Morrison, a steaming Neil Young...), The Band live up to their myth in Scorsese’s scorching testament.
13-year WoW vet left Blizzard for the indie life because "I didn't really feel like a game developer in some way," agrees it's harder for AAA giants to "maintain this connection to the player"
Diablo creator rips into modern ARPGs for being all about "killing screen-fulls of things instantly," says Diablo 2's pacing "is great" and "that’s one of the reasons it’s endured"
Kingdom Come: Deliverance 2 dev says the original RPG attracted an audience "sort of like Euro Truck Simulator," with "quite a lot of people who never play games"
