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Less a traditional chase thriller, more a study of self-reinvention, Eric Laritgau’s film follows Parisian lawyer Paul (Romain Duris), who accidentally kills his wife’s lover in a scuffle.
With echoes of Antonioni’s The Passenger, Paul fakes his own death and adopts the deceased man’s identity, fleeing to Montenegro where his talent for photography blossoms.
Save for an unsatisfying resolution, this is a confident adap of Douglas Kennedy’s US-set novel.
Built around a multilayered performance from Duris, it’s a film unafraid to pose more questions than it answers.
Metaphor: ReFantazio wanted to fix the JRPG grinding problem, but Atlus went too far at one point and accidentally broke the whole combat system
Final Fantasy 7 Remake and Rebirth battle director says combining everything he learned on Monster Hunter: World with Square Enix's technology and unique skills created a "chemical reaction"
"Minutes after Palworld released," Pocketpair was already getting game pitches from "some really big names" before it even set up its own publisher: "No one has money at the moment"
