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Less a traditional chase thriller, more a study of self-reinvention, Eric Laritgau’s film follows Parisian lawyer Paul (Romain Duris), who accidentally kills his wife’s lover in a scuffle.
With echoes of Antonioni’s The Passenger, Paul fakes his own death and adopts the deceased man’s identity, fleeing to Montenegro where his talent for photography blossoms.
Save for an unsatisfying resolution, this is a confident adap of Douglas Kennedy’s US-set novel.
Built around a multilayered performance from Duris, it’s a film unafraid to pose more questions than it answers.
A new Batman #1 from Matt Fraction and Jorge Jiménez launches this September with a "revamped aesthetic," a throwback costume, and a new Batmobile
Marvel reveals its full slate of May 2025 comics and covers featuring the Avengers, the X-Men, Spider-Man, and more
Former Witcher 3 lead says his new vampire RPG Blood of Dawnwalker has a smaller open world because "it feels more like you actually know the place" compared to "behemoths"
