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Last Autumn director Andrew Kötting and writer Ian Sinclair took a month-long river voyage to the olympic village on a swan-shaped pedalo called Edith. Why?
Their self-styled subversive quest promises a wryly homegrown alternative to sporting fever. But most will see only two eccentrics mucking about on a boat, ruminating on nature’s “morphic resonances”.
Considering both men have form exploring British life via quirky travelogues, the shaggy-dog surrealism is frustratingly vague and only fitfully entertaining; revealingly, it’s ‘guest pedallers’ Alan Moore and Stewart Lee who steal the show.
Blood of Dawnwalker devs explain how the vampire RPG's "narrative sandbox" builds on what they were "known for crafting" in games like The Witcher 3
Persona and Metaphor: ReFantazio composer's new JRPG gets a Steam Next Fest demo, and it's basically a turn-based Metal Gear Solid
Avowed is nothing like Bethesda's RPGs, but The Elder Scrolls 6 should take inspiration from its combat
