Is it just me, or is streaming no big-screen substitute?

The Power of the Dog
(Image credit: Netflix)

Don’t get me wrong. I’m not a Luddite wishing for ‘the good ol’ days’, when we only had four TV channels and movies took months to arrive on fuzzy VHS tapes. Change is good, progress is inevitable. 

And there are lots of reasons to praise streamers like Netflix, Prime Video and Apple TV+. Touch-of-a-button convenience for one. No more seeking through piles of DVDs for that copy of Top Gun you know you’ve got somewhere. Then there’s that vast array of choice. And let’s face it, when cinemas closed during the pandemic, streaming kept us sane.

You also can’t fault the tastes of these filmmaker-friendly companies. Without Netflix, Martin Scorsese’s The Irishman would not have been made. Same goes for Jane Campion’s The Power of the Dog. At a time when studios are betting all their chips on event movies, auteurs are finding backing with these digital disrupters.

Yet if there’s one thing lockdown reinforced, it’s just how unique the cinema experience is. True, some movie houses leave a lot to be desired, patrons can be annoying, and it can be expensive, what with travel, babysitting, etc.

Sharing a movie in the dark with strangers is irreplaceable, though. It takes effort to leave your couch, but when you do, it’s so much more rewarding. I don’t care how good your swanky HD cinema set-up is, the inevitable distractions (doorbells, phones, pets) mean you’re never as immersed in a movie at home as you are in a cinema. 

Artistically, it’s also wrong. As Denis Villeneuve told Total Film, watching Dune on your TV is like driving a “speedboat in your bathtub”. There’s also no fanfare or anticipation surrounding an on-demand watch, right down to the end credits getting abruptly cut off.

I know streamers have introduced some viewers to films they might otherwise not see, which is a good thing. But we need to re-embrace the medium of cinema quick-sharp, and not just for Bond and Batman. Movie houses are like dining in a Michelin-star restaurant. But streaming? It’s the entertainment equivalent of a fast-food drive-through. Or is it just me?

Freelance writer

James Mottram is a freelance film journalist, author of books that dive deep into films like Die Hard and Tenet, and a regular guest on the Total Film podcast. You'll find his writings on 12DOVE and Total Film, and in newspapers and magazines from across the world like The Times, The Independent, The i, Metro, The National, Marie Claire, and MindFood. 

Read more
Oppenheimer
Netflix CCO claims that Christopher Nolan's Oppenheimer would have had same cultural impact if it was a Netflix exclusive
Quentin Tarantino
Quentin Tarantino says that 2019 was the "last year of movies" as streaming took over: "What the f*ck is a movie now?"
XGIMI Elfin Flip projector on a coffee table with a TV in the background
Can a projector replace a TV? Here's everything I've learned after years of trying to build my own living room theatre
Timothée Chalamet and Zendaya in Dune: Part Two
Dune 2 director Denis Villeneuve bans the same item from his movie sets as Christopher Nolan because "everybody has to focus and be entirely in the present"
Calliana Liang as Chloe in Steven Soderbergh's new horror-drama Presence
New haunted house horror Presence is unlike anything you've seen before – and cements Steven Soderbergh as one of our most interesting filmmakers
Lily Gladstone as Mollie Burkhart looking sad while sitting in court during one of the best Apple Tv movie, Killers of the Flower Moon.
The 10 best movies on Apple TV Plus to stream right now
Latest in Movies
Theo James as Hal in Osgood Perkins' The Monkey
It might only be March, but Stephen King adaptation The Monkey is now the highest grossing horror movie of 2025
Cyborg and Batman together
Justice League stars Ray Fisher and Ben Affleck are teaming up for new thriller Animals
Batman and Catwoman talking
Robert Pattinson is hoping to team up with his The Batman co-star Zoe Kravitz on another project soon
Keanu Reeves and Brzrkr
Justin Lin to helm Keanu Reeves' comic book movie adaptation BRZRKR for Netflix
Train to Busan passengers
Train to Busan director is returning to the horror sub-genre with a new movie described as the culmination of his zombie universe
Thomas Shelby on a horse
Although Netflix is making the Peaky Blinders movie, fans need not to worry as it will be released in theaters too
Latest in Features
Monster Hunter Wilds characters share a meal
Oh no, Monster Hunter Wilds is so good that I'm already counting the days until its inevitable Master Rank expansion
Kai and Giatta battle Xaurip in Avowed
I get why Obsidian doesn't like The Elder Scrolls comparisons, but Avowed is the first RPG to have its hooks in me this deep since Skyrim took over my life 14 years ago
Photo taken by writer Rosalie Newcombe of the Tears of the Kingdom OLED Nintendo Switch handheld, with the Super Mario Nendoroid figure standing in front of it.
My PC is screaming for an update, but the Switch 2 will be taking all my money this year
GoDice in their RPG case beside Pixels dice
I put two electronic d20s head-to-head and the bad news for your wallet is the discount D&D dice failed its saving throw
Arydia: The Paths We Dare Tread in play
This board game TRPG hybrid delivers something D&D hasn't quite managed to capture for me
Daredevil: Born Again
Daredevil: Born Again killing off a fan-favorite character is controversial, but it might prove to be the right choice for the new Marvel show