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Offering a uniquely smallscale view of post-Saddam Iraq, writer/director Mohamed Al Daradji’s festival favourite follows a headstrong young lad (Yasser Talib) and his grandmother (Shazada Hussein) on their search for the boy’s father, who’s been missing since he was forced to sign up for the Iraqi army.
This aside, the war isn’t featured heavily and almost no troops appear in the film, whose focus is on the quieter but no less profound threat of silent, unreported genocide.
Talib makes a vivid impression in his debut performance, embodying both a childish zeal for life and a growing awareness of just how dangerous his world is.
Sparse, tender and hypnotically moving.
Epson EF-22 review: “versatile design done right”
This gadget has transformed my gaming time and the way I create YouTube content, and it was never designed to do either
The new survival game from the creator of PUBG is an absolutely merciless wilderness experience that's aiming to be "as hard a survival game as you can make"
