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As The Eagles might have sung, there's plenty of room at the Hotel Rwanda; enough, it appears, for another harrowing drama set during the 1994 genocide that saw almost a million Tutsis butchered by Hutu extremists. Unlike Terry George's film, though, Shooting Dogs replays this appalling episode from a white man's perspective: that of idealistic young teacher Hugh Dancy, who finds the school-cum-mission he runs with John Hurt's priest become a sanctuary for some 2,500 refugees.
With Hutus massing outside, there's no way this will end happily and as Michael Caton-Jones' impressively mounted film nears its conclusion, the emotional impact is almost overwhelming. Curiously, though, the decision to view the carnage through Dancy's eyes distances us, making this story less the tragedy of a million dead Africans than that of a couple of impotent Westerners.
The Total Film team are made up of the finest minds in all of film journalism. They are: Editor Jane Crowther, Deputy Editor Matt Maytum, Reviews Ed Matthew Leyland, News Editor Jordan Farley, and Online Editor Emily Murray. Expect exclusive news, reviews, features, and more from the team behind the smarter movie magazine.













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