Sex and the City 2 review

Release the waxworks!

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Sex and the City 2 review: “I am woman!” shriek the four horsewomen of the menopocalypse during a boozy bonding karaoke session in the middle of a film as polished, savvy and calculating as Samantha Jones herself. A fitting rally cry for a movie that attempts to be all things to all women and succeeds in addressing only a handful of storylines satisfactorily.

Set two years after sex hack Carrie’s wedding, the gals now have high-class problems to face. Carrie (Parker) has a longer face than usual because her hugely wealthy hubby (Chris Noth) enjoys watching TV and eating takeaways. Lawyer Miranda (Nixon) wants a nicer high-paying job, while Charlotte (Davis) struggles with her kids and full-time nanny. PR cougar Samantha (Cattrall) worries about the edge coming off her legendary libido and douches daily with hormonal gels. When a five-star freebie trip to Abu Dhabi comes up the quartet are straight on the plane.

Sacrificing meaty story arcs for a checklist of universal girl grumbles, SATC2’s scattergun approach will connect to an audience escaping similar experiences – and on that level it works for core fans. Tweaked to waxwork-like weirdness, the foursome ooze fabulous, from the OTT fashion (seriously, how big are their suitcases?) and high-camp situations, to the run-ins with celeb cameos (Penélope Cruz, a doddery Liza Minnelli) and beloved series characters (welcome back, Aidan).

The uninitiated (ie: blokes) may struggle to relate to women who are never developed beyond seemingly vapid ciphers in an abridged version of the original show. Alice Eve’s tits and Noth’s world-weary bemusement at Carrie’s obsession with the minutiae aside, there’s not much here to charm a dragged-along chap. But that’s probably the way the girls like it.

Disposable, glitzy fun lacking depth or staying power, Sex And The City 2 is the cinematic version of karaoke: a giddy, silly hoot best enjoyed in tipsy groups.

Contributing Editor, Total Film

Jane Crowther is a contributing editor to Total Film magazine, having formerly been the longtime Editor, as well as serving as the Editor-in-Chief of the Film Group here at Future Plc, which covers Total Film, SFX, and numerous TV and women's interest brands. Jane is also the vice-chair of The Critics' Circle and a BAFTA member. You'll find Jane on 12DOVE exploring the biggest movies in the world and living up to her reputation as one of the most authoritative voices on film in the industry.