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A guy learns of his friend’s death, but the official explanation doesn’t add up – so he sets out in search of the truth, with a side order of revenge.
It’s a well-used hook, but Ken Loach and his regular writer Paul Laverty bring it up to date by linking it to the notorious use of ‘contractors’ (ie mercenary forces) in Iraq.
After the relatively gentle Looking For Eric, this is Loach with all guns blazing.
His target – the privatisation of war – is a thoroughly deserving one, but shouty acting and heavy-handed plotting drown out the powerful, cogent message, leaving us with a left-wing version of Death Wish.
Devs behind the legendarily horny Dead or Alive series take "strict action" against nearly 3,000 pieces of content made for "adult purposes" every year
Call of Duty dev's Dino sword fighting game that started out as a joke secures 10k wishlists in its first day
Veteran analyst expects Switch 2 to be "a massive success," but doesn't see it matching the "outlier" that was the Switch 1: "It could happen, but it's not likely"
