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When Parisian industrialist Stanislas Graff (Yvan Attal) is kidnapped, the ransom quickly follows… but then it emerges Graff has squandered his fortune.
Updating actual ’70s events for the credit crunch era, director Lucas Belvaux (Trilogy) highlights the backlash against Graff’s moral bankruptcy, forcing us to value the worth of a playboy who, as bravely played by Attal, is deeply unlikeable.
Yet the topicality sits at odds with age-old devices: Dirty Harry-style money drops, fingers in the post.
Like Graff, this muted procedural promises more than it can deliver.
Balatro creator started "properly playing the game myself about a week before launch" and had "a pretty emotional moment" where he realized it's "actually fun"
Hideo Kojima reveals Death Stranding 2: On the Beach release date, and the Collector's Edition includes exactly what I predicted it would
Kingmakers is a strategy game about taking on medieval armies with a gun, but its devs thought the giant mech was too much
