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Like Tony Manero, Chilean director Pablo Larraín’s previous film with lead Alfredo Castro, this is a chilling portrayal of a deeply unsympathetic protagonist.
Unfolding in Santiago during the 1973 military coup against President Allende, it follows the ghostly figure of coroner’s assistant Mario (Castro), who begins an affair with the washed-up cabaret dancer (Antonia Zegers) from across the street.
Shot on grainy 16mm in a slurry of beiges, browns and greys, it’s an expertly controlled work.
Building to a horrifying Vanishing-style conclusion, Larrain lays bare a society poisoned by violence.
Turtle Beach just launched a stunning purple version of its iconic Stealth 600 Gen 3 headset
Legendary Star Fox and Zelda developer says "having a big, huge budget" doesn't guarantee you'll make a "great game," as the best ones "are down to the best ideas"
Razer has teamed up with Faker for its latest Viper V3 Pro special edition
