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Like Tony Manero, Chilean director Pablo Larraín’s previous film with lead Alfredo Castro, this is a chilling portrayal of a deeply unsympathetic protagonist.
Unfolding in Santiago during the 1973 military coup against President Allende, it follows the ghostly figure of coroner’s assistant Mario (Castro), who begins an affair with the washed-up cabaret dancer (Antonia Zegers) from across the street.
Shot on grainy 16mm in a slurry of beiges, browns and greys, it’s an expertly controlled work.
Building to a horrifying Vanishing-style conclusion, Larrain lays bare a society poisoned by violence.
After PlayStation boss praises Nier Automata as a savior for Japanese games overseas, Yoko Taro says he was specifically told to focus on Japan because it wouldn't fly overseas
"Should JRPGs be considered a distinct genre?": Lunar icon Kei Shigema reflects on the genre with new remasters on the way and how RPGs have changed 33 years later
24 years later, RuneScape gets its own survival game – RuneScape: Dragonwilds turns the MMO into a co-op game with RPG juice and Valheim energy, and it's out this year
