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Made in 1960, the first big-screen outing for Patricia Highsmith’s talented Tom Ripley introduced audiences to one of crime fiction’s great anti-heroes – and made a star out of Alain Delon.
The shape of the plot, in which Ripley schemes to usurp the identity of a wealthy acquaintance, will be familiar if you’ve seen the 1999 version .
Yet René Clément’s take offers its own pleasures, from the sun-bleached lensing to Delon’s charisma.
Tempering Hitchcockian intent with the experimentalism of the French New Wave, the result is as seductive as it is suspenseful: a bracing study of amorality.
Elden Ring Nightreign is saying goodbye to FromSoftware's beloved messaging system
Tetris some towns together in this cute city builder brought back to life by Kickstarter after the studio "had to let everyone go" last year
Balatro creator shares the GOTY love with other indie games while giving out a "very prestigious Golden Thunk award"
