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Made in 1960, the first big-screen outing for Patricia Highsmith’s talented Tom Ripley introduced audiences to one of crime fiction’s great anti-heroes – and made a star out of Alain Delon.
The shape of the plot, in which Ripley schemes to usurp the identity of a wealthy acquaintance, will be familiar if you’ve seen the 1999 version .
Yet René Clément’s take offers its own pleasures, from the sun-bleached lensing to Delon’s charisma.
Tempering Hitchcockian intent with the experimentalism of the French New Wave, the result is as seductive as it is suspenseful: a bracing study of amorality.
6 new movies and shows to watch this weekend on Netflix, Prime, Disney Plus, and more (April 4 - 6)
Metroid Prime 4's Star Wars-style opening space battle has the 14-year-old Metroid nerd in me absolutely screaming
Marvel Rivals season 2 adds Emma Frost and Ultron as the Hellfire Gala becomes a battleground
