Why you can trust 12DOVE Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.
The English-language debut of Spanish director Alex De La Iglesia is an adaptation of Wild At Heart-scribe Barry Gifford's novel 59° And Raining: The Story Of Perdita Durango.
Set on either side of the American-Mexican border, it stars Rosie Perez as Perdita, a smouldering femme fatale, who hooks up with the bank thief/grave-robber cum witch doctor Romeo (Javier Barem), a devotee of the Santeria cult. They kidnap a white teen-age couple (Aimee Graham, Harley Cross), intending to use them as sacrifices to appease the gods, but wind up transporting them to Vegas with a truckload of foetuses that they have to deliver to a Mafia boss. However, the DEA are on their tail...
Peppered by flashbacks, the plot is an excuse for a series of overblown, bloodthirsty set-pieces. Colourfully filmed in widescreen and charismatically acted by Bardem and Perez, Perdita Durango remains, at heart, comic-strip film-making. Sharp one-liners abound ("'you look like an extra from a bad Black Sabbath video"') but there's no emotional resonance. And several scenes, most notably the rape of a teenager, are acutely distasteful.
Metaphor: ReFantazio wanted to fix the JRPG grinding problem, but Atlus went too far at one point and accidentally broke the whole combat system
Final Fantasy 7 Remake and Rebirth battle director says combining everything he learned on Monster Hunter: World with Square Enix's technology and unique skills created a "chemical reaction"
"Minutes after Palworld released," Pocketpair was already getting game pitches from "some really big names" before it even set up its own publisher: "No one has money at the moment"
