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Misplaced critical vitriol torpedoed the original 1960 release of director Michael Powell’s psycho-horror.
Fifty years later, it’s an undisputed British masterpiece.
Scripted by Leo Marks, it tells of camera-obsessed victim-misfit Mark (gently tragic Carl Boehm), who’s in queasy thrall to an appalling quest for realism.
Shot in lurid Eastmancolor (which pops harder than ever in this digital restoration) and crammed with ripe Freudian symbolism, Peeping Tom lays bare the dark impulses that lie behind both the making and watching of films.
Amazing Spider-Man #1 will introduce major new Marvel villain Hellgate, Peter Parker's "greatest challenge in the new era"
Nosferatu director Robert Eggers is making a sequel to one of my favorite childhood movies Labyrinth – and I have the perfect nightmarish storyline in mind
Veteran GTA dev says Rockstar should make a GTA 4 remaster, but "it would be better" if it was a "quality remaster" this time
