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The latest Coppola to grab a camera – Francis Ford’s granddaughter, Gia – makes a quietly assured debut with this tale of disaffected youth, adapted from a book of short stories by James Franco. The star also appears as a creepy soccer coach, object of desire for April (Emma Roberts).
Shying from the more controversial yarns in Franco’s book, this is a dreamy take on teen life, authentic in its everyday feel. Yet it plays like a series of disparate shorts and the absence of parents rings false. But with a distinct visual sensibility, Gia proves she’s one more Coppola to watch.
The Black Phone 2 production has begun, as director shares first cryptic behind the scenes look at the horror sequel
Pokemon TCG Pocket playground rumors about boosting rare card chances are running wild, but at least this in-game event offers a good shot at getting a sparkly Lapras
Days after shutting its AAA game studio filled with former God of War and Overwatch talent, Netflix announces a "new initiative" powered by AI
