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The latest Coppola to grab a camera – Francis Ford’s granddaughter, Gia – makes a quietly assured debut with this tale of disaffected youth, adapted from a book of short stories by James Franco. The star also appears as a creepy soccer coach, object of desire for April (Emma Roberts).
Shying from the more controversial yarns in Franco’s book, this is a dreamy take on teen life, authentic in its everyday feel. Yet it plays like a series of disparate shorts and the absence of parents rings false. But with a distinct visual sensibility, Gia proves she’s one more Coppola to watch.
Metaphor: ReFantazio wanted to fix the JRPG grinding problem, but Atlus went too far at one point and accidentally broke the whole combat system
Final Fantasy 7 Remake and Rebirth battle director says combining everything he learned on Monster Hunter: World with Square Enix's technology and unique skills created a "chemical reaction"
"Minutes after Palworld released," Pocketpair was already getting game pitches from "some really big names" before it even set up its own publisher: "No one has money at the moment"
