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The latest Coppola to grab a camera – Francis Ford’s granddaughter, Gia – makes a quietly assured debut with this tale of disaffected youth, adapted from a book of short stories by James Franco. The star also appears as a creepy soccer coach, object of desire for April (Emma Roberts).
Shying from the more controversial yarns in Franco’s book, this is a dreamy take on teen life, authentic in its everyday feel. Yet it plays like a series of disparate shorts and the absence of parents rings false. But with a distinct visual sensibility, Gia proves she’s one more Coppola to watch.
Smile director teases his "completely bonkers" and faithful remake of cult horror classic Possession with Robert Pattinson
I've tried Razer's new haptic seat cushion, and my butt will never be the same
Persona studio "working to address" problems plaguing Metaphor: ReFantazio's PC performance in the weeks before launch
