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Darren Lynn Bousman (Saw II-IV) reworks Charles Kaufman’s 1980 Troma schlocker – itself a Texas Chain Saw, Last House On The Left , Friday The 13th hybrid – into a torture-heavy home-invasion thriller.
Moments of ill-advised irony aside, a taut-faced Rebecca De Mornay impresses as the composedly nutty matriarch who leads her three sons and daughter (True Blood’s Deborah Ann Woll) in terrorising a middle-class party.
Too long and with too many characters to get through, Mother’s Day holds effective sequences, ramming home its (recycled) message: the animal lurks in us all.
Blood of Dawnwalker devs explain how the vampire RPG's "narrative sandbox" builds on what they were "known for crafting" in games like The Witcher 3
Persona and Metaphor: ReFantazio composer's new JRPG gets a Steam Next Fest demo, and it's basically a turn-based Metal Gear Solid
Avowed is nothing like Bethesda's RPGs, but The Elder Scrolls 6 should take inspiration from its combat
