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Incurably bossy, ditzy and nine months pregnant, Mitsuko (Riisa Naka) rampages around ordering everyone’s lives for them whether they want it or not, like a low-charm oriental version of Amélie .
Writer/director Yûya Ishii’s comedy (his eighth feature in five years) is set in a skid-row Japan where no one knows where their next bowl of soup is coming from.
Long-lost loves, foundering diners and unexploded bombs figure along the way.
At first the effect is amusingly wacky, but before long the shouting and gurning quotient reaches discomfort levels and the movie winds up just irritating.
Blood of Dawnwalker devs explain how the vampire RPG's "narrative sandbox" builds on what they were "known for crafting" in games like The Witcher 3
Persona and Metaphor: ReFantazio composer's new JRPG gets a Steam Next Fest demo, and it's basically a turn-based Metal Gear Solid
Avowed is nothing like Bethesda's RPGs, but The Elder Scrolls 6 should take inspiration from its combat
