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Confrontational, both in form and content, Greek writer/director Alexandros Avranas’ chillingly controlled family drama begins with a young girl’s suicide, before unravelling the horrors that forced her hand. At the centre of this sinister web sits ‘Father’ (Themis Panou), a softly spoken disciplinarian who makes his ‘children’ complicit in their own abuse.
Presumably these patriarchal evils are meant to have allegorical echoes in the world outside, but the film, like its characters, barely leaves the flat, its troubling tension deriving – as in Markus Schleinzer’s 2011 Michael – from the certainty that the sublimated violence will engulf everything .
Ex Nintendo PR managers say the Switch 2 generation is likely to see the retirement of "several of the major developers at Nintendo who we have known for 40 something years"
Helldivers 2 CEO says industry layoffs have seen "very little accountability" from executives who "let go of one third of the company because you made stupid decisions"
Spider-Man: Brand New Day - How Peter Parker and Mary Jane's break up led to one of the wall-crawler's most transformative comic eras
