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Fraught and confusing to begin with, writer/director Sebastián Silva’s trippy arthouse horror doesn’t settle down for a good while – or at least before you realise that it’s fully intended to be a nervous-breakdown movie.
Steeped in off-key intrigue, it follows Juno Temple’s tourist to a Chilean island, where’s she’s tormented by Michael Cera and pals, the local wildlife and, perhaps, something less tangible.
Bringing to mind urbanoia flicks (eg 2008’s Long Weekend ) and psychosexual dramas (eg 1971’s Let’s Scare Jessica To Death ), it ebbs away at the climax, but there’s 45 minutes where it sings loud and strange.
A new Batman #1 from Matt Fraction and Jorge Jiménez launches this September with a "revamped aesthetic," a throwback costume, and a new Batmobile
Marvel reveals its full slate of May 2025 comics and covers featuring the Avengers, the X-Men, Spider-Man, and more
Former Witcher 3 lead says his new vampire RPG Blood of Dawnwalker has a smaller open world because "it feels more like you actually know the place" compared to "behemoths"
