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Guy Maddin ( Canada’s answer to David Lynch) sets his black-and-white, loopily surreal twist on early-era noir in a dusty mansion teeming with ghosts.
Returning after a long absence, gangster Ulysses (Jason Patric) embarks on a journey through his home to reach his wife (Isabella Rossellini), who’s locked in her room.
The house not only reflects Ulysses’ mind but becomes a metaphor for cinema itself – a strange storage contraption for memory and the past’s spectres.
Though self-referential to a fault, the deadpan humour, frayed logic and monochrome dazzle cast their own richly peculiar spell.
Monster Hunter Wilds director confirms my suspicions: a bug made monsters run away too frequently in the beta and the full game doesn't have this problem
Stalker 2 director says she was as shocked as anyone by the controversy over AI system A-Life's removal from the FPS's Steam page: "I noticed it because of Reddit"
Creature Commandos star Frank Grillo thinks we’ll get a season 2 of the new DC show "unless something goes terribly awry"
