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Blame Michael Flatley for this post-Riverdance documentary about hoofing children heading to Glasgow for the 40th Irish Dancing World Championships, each with hopes of becoming the year’s finest high-kicker.
Yet while it’s easy to sneer at the tweens and their scary parents, you can’t ignore their dedication to their dying art, nor their kinetic energy.
Ping-ponging between Ireland, Holland, Russia and Essex, Sue Bourne’s pic could have used clarifying narration.
Once the contest begins, though, her film’s as gripping as Spellbound and as enjoyably kitsch as Eurovision.
Blood of Dawnwalker devs explain how the vampire RPG's "narrative sandbox" builds on what they were "known for crafting" in games like The Witcher 3
Persona and Metaphor: ReFantazio composer's new JRPG gets a Steam Next Fest demo, and it's basically a turn-based Metal Gear Solid
Avowed is nothing like Bethesda's RPGs, but The Elder Scrolls 6 should take inspiration from its combat
