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They run on the beach, they run down alleyways, they run up hills. Everyone’s running but nobody’s getting anywhere in this Margate-shot British thriller.
It opens intriguingly as a woman (Alex Reid, The Descent) washes up on a beach half-drowned.
Then it timeshifts itself into agreeably head-scratchy tangles (and sometimes, alas, knots...) as writer-director Simon Welsford’s story of love and corporate surveillance ambitiously tries to do Following meets The Conversation on a £2,500 budget.
OK, so Jetsam’s saddled with a score that’s as subtle as a pneumatic drill at 6am on a Sunday morning, but there’s enough here to ensure Welsford should get noticed.
Nintendo's Shigeru Miyamoto found it hard to watch his own kids playtest Super Mario 64: "Geez, does this kid have any brains?"
Civ 5 caused a commotion at a space agency its creative director used to work at
There was "no version" of Sonic 3 that wouldn't include Live and Learn according to director Jeff Fowler: "The fans would hunt me down"
