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“I’m not sure I’ll understand much, but I want to see,” says French icon Catherine Deneuve, who’s driven by Lebanese artist Rabih Mroue to visit the war-ravaged south of his country during the summer of 2006.
Co-directed by Joana Hadjithomas and Khalil Joreige, this awkward blend of documentary and fiction depicts a society painfully rebuilding itself, where rubble is dumped into the sea and posters of Hezbollah martyrs line the highways.
Yet the images lack historical context, Deneuve seems ill-at-ease throughout and the film overall suffers in comparison with last year’s Lebanon-set Under The Bombs.
As some analysts "hope" GTA 6 will normalize $100 games, one Baldur's Gate 3 dev points out that "prices haven't risen with inflation"
Leading analysts predict the Nintendo Switch 2 could shift anywhere between 14 million and 20 million units in its first year - if Nintendo can keep up with demand
30 years later, Fallout creator Tim Cain is searching for a legendary D&D player who cheesed an entire competitive dungeon with a lightning-fast Monk build
