Replacing a beloved protagonist with a younger, less experienced version can be dicey. Raiden’s prominence in Metal Gear Solid 2, with Solid Snake consigned to the background, was reviled by many players, and Devil May Cry 4, with the similarly floppy-haired and comparatively younger Nero spending the first half of the game trying to find and defeat Dante, got a similar reaction.
In the same way that Raiden’s relationship with Rose is core to MGS2, Nero has Kyrie, who he’s trying to protect as he quells the demon uprising supposedly caused by Dante.
Daddy cool
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While he might not have Dante’s instant, easy cool, Nero’s arsenal makes up for it, each item more appealing than the last: Blue Rose, a double-barrelled revolver; Red Queen, a huge sword he can rev up like a motorcycle; and the Devil Bringer, a sealed demon right arm he can use to spectrally grapple enemies. When you switch to controlling Dante for the back-tracking portion of the game you realise what a boon the grapple was for fighting some of the zippier enemies, enabling you to dash around a fight with ease and completely own an encounter.
With Nero it’s a classic case of not realising what you had until he was gone. Thankfully, we didn’t lose him forever. Devil May Cry V might have taken 11 years to materialise, but even with three playable characters (V joined the crew) vying for players’ attention, Nero proved himself the heart of the squad.
His arm was replaced with detachable robotic versions that meant playing as him involved constant and exciting variation, and his shorter, fresh haircut and new outfit made him easily the most stylish. But it’s in the ending, as he shoves himself into harm’s way, angrily demanding the end of the cycle of violence between ‘good’ and ‘evil’ that we really fall in love with this good-hearted bad boy, who’s willing to put it all on the line to protect those he cares about.
Nero won’t let his family’s mistakes influence his own life any more, and is willing to fight for a better future.
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