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After such heavyweight contenders as Talk To Her and Bad Education , Pedro Almodóvar has gone back to his roots. A garish, garrulous comedy, primarily set aboard a plane bound for Mexico, I’m So Excited! should delight fans of the director’s exuberant early work. Think Women On The Verge Of A Nervous Breakdown – only this time it’s everyone from a bi-curious co-pilot to a pair of newlyweds unravelling.
After a pre-title sequence featuring cameos from two of Almodóvar’s most famous regulars – Antonio Banderas and Penélope Cruz as arguing ground staff at the airport – Peninsula Flight 2549 gets airborne. In the cabin are three stewards, loose-tongued Joserra (Javier Cámara), tequila-swigging Ulloa (Raúl Arévalo) and the portly Fajas (Carlos Areces), who preys at a mini-altar stashed in a briefcase.
With this eccentric trio drugging the hoards in economy with a muscle relaxant to keep them sleeping, it’s a convenient plot device to keep the action in business class. Here we meet a number of Almodóvar archetypes including Norma (Cecilia Roth), an actress turned dominatrix, Infante (José María Yazpik), a Mexican hitman, and Bruna (Lola Dueñas), a virgin psychic who can “smell death”.
When it becomes clear the plane has a problem with the landing gear, the film settles into its holding pattern and the crew try to keep up the spirits of the hysterical passengers. This includes a choreographed routine to the eponymous Pointer Sisters’ classic and mixing up a mescaline-laced Valencia cocktail (by which point, the Mile High Club is bursting with new members).
With lines like “In the army, I had more blow jobs than an airbed”, the comedy is never sophisticated – though Almodóvar still makes pointed barbs about corruption, politics and the economy.
Forgettable, frothy, chaotic, charming, it’s hardly groundbreaking compared to Volver . At best it feels like a director blowing off steam – though nobody knows how to do that better than Almodóvar.
James Mottram is a freelance film journalist, author of books that dive deep into films like Die Hard and Tenet, and a regular guest on the Total Film podcast. You'll find his writings on 12DOVE and Total Film, and in newspapers and magazines from across the world like The Times, The Independent, The i, Metro, The National, Marie Claire, and MindFood.