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A critical and commercial hit in Italy, Paolo Virzì’s classy recession-set melodrama gives spiritual anguish a topical makeover. A hit-and-run accident mires two families – one well-off, the other less so – in scandal, as revealed over three overlapping stories. It’s a timely tale, robustly told, with Virzì ably dissecting the effect a transactional culture has on the soul, and the difficulty of finding happiness without (and sometimes with) cold hard cash.
Shame that the plotting favours narrative intrigue over character depth, creating a film whose message is witnessed rather than felt.
Shadow's Japanese voice actor in Sonic 3 is just as perfect as Keanu Reeves – he's the voice of Sephiroth in multiple Final Fantasy games
Despite its perfect Rotten Tomatoes score, Arcane season 2 has been toppled in the Netflix streaming charts by an unlikely drama
Square Enix finally removes its ban on sharing Final Fantasy 7's biggest spoiler, 27 years after it first happened in the original JRPG
