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A critical and commercial hit in Italy, Paolo Virzì’s classy recession-set melodrama gives spiritual anguish a topical makeover. A hit-and-run accident mires two families – one well-off, the other less so – in scandal, as revealed over three overlapping stories. It’s a timely tale, robustly told, with Virzì ably dissecting the effect a transactional culture has on the soul, and the difficulty of finding happiness without (and sometimes with) cold hard cash.
Shame that the plotting favours narrative intrigue over character depth, creating a film whose message is witnessed rather than felt.
Devil May Cry producer says he wanted the new Netflix anime to feel "like a Hollywood blockbuster" inspired by The Matrix and Christopher Nolan's Batman
Death Stranding surpasses 20 million players amid spike of Steam users presumably trying to finish it before the sequel
"Joel was right": The Last of Us director Neil Druckmann defends his character's decision at the end of the first game
