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Rustling trees, snakes eating fish, ambient score... His opening gambits alone share territory with other rustic reveries on innocence/experience, but Daniel Patrick Carbone’s visual poetry and ease with young actors distinguish his no-budget US indie debut. Providing the magnetic counter-balance for the plot’s drift, Ryan Jones and Nathan Varnson give natural performances as small-town brothers rocked by a friend’s death.
The Malick echoes and half-cocked shots at tension-building seem more forced, but Carbone’s sense of place, management of mood and feel for loaded intimacies all suggest his intuitive talent won’t stay hidden.
A new Batman #1 from Matt Fraction and Jorge Jiménez launches this September with a "revamped aesthetic," a throwback costume, and a new Batmobile
Marvel reveals its full slate of May 2025 comics and covers featuring the Avengers, the X-Men, Spider-Man, and more
Former Witcher 3 lead says his new vampire RPG Blood of Dawnwalker has a smaller open world because "it feels more like you actually know the place" compared to "behemoths"
