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Pogoing into view with a big grin, some top tunes and period punch aplenty, Lisa Barros D’Sa and Glenn Leyburn’s likeable but flawed biopic of a ’70s Belfast punk hero stands and stumbles on its charm levels.
In a breakout turn, Richard Dormer is optimism incarnate as Terri Hooley, a record-store owner who used music to spur a troubled generation.
His charm is winning, but it backs the film into a corner: the stress on uplift sidelines Hooley’s neglect of his wife (Jodie Whittaker) and kid, hitting a bum note in an otherwise persuasively buoyant tribute to a punk believer.
Buy more indie games, says Balatro developer, as the roguelike card game sails past 5 million copies sold: "There's some amazing stuff out there!"
Legendary writer Chris Claremont returns for a new X-Men comic that sends Wolverine and Kitty Pryde to Japan
The Witcher 3 director's new vampire open-world game sure sounds like it took a page from the D&D and Baldur's Gate playbook: "Sometimes it feels like playing a paper RPG"
