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Richard E. Grant's on enjoyably hammy form here as a slick City type who decides to up his cultural rep by staging a lavish open-air opera at his sprawling country pad.
Unfortunately for him, the group of fresh-faced young hopefuls he assembles all seem more interested in pairing off as swiftly as romcom convention will allow, and proceedings swiftly descend into sub-Richard Curtis territory with little of the wit.
It’s to director Chris Menaul’s credit that his lack of big-screen experience isn’t evident, but the same can’t be said for his cast who are, by and large, too stiff to charm.
Emma Didbin is a writer and journalist who has contributed to 12DOVE, The New York Times, Elle, Esquire, The Hollywood Reporter, Vulture, and more. Emma can currently be found in Los Angeles where she is pursuing a career in TV writing. Emma has also penned two novels, and somehow finds the time to write scripts for Parcast – the Spotify-owned network that creates thrilling true crime and mystery podcasts.