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Writer/director Shinji Aoyama's self-styled "prayer for modern man" is a slow-burning piece of mesmerising film-making.
Shot in dreamy sepia, Eureka examines the impact of a bus kidnapping in small-town Japan, as three survivors - - the driver Makoto (Koji Yakusho) and two teenage siblings, Kosue (Aoi Miyazaki) and Naoki (Masaru Miyazaki) - - struggle to cope. Two years later, the now-orphaned schoolchildren are still too traumatised to speak. Makoto proposes a bus tour in order to "start over again..."
The running time seems daunting, but this contemplative exploration of healing and loss combines scope and intimacy to impressive effect.
NOVERDICT
Mortal Kombat 2 release date, trailer, cast, plot, and more news
I spent 15 hours clearing a recycled map I'd already explored and loved every second – Like a Dragon: Pirate Yakuza in Hawaii is a greatest hits album and then some
Lego Stargazing with Celeste (77053) review: "Not much to it, but still rather charming"
