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Jim Jarmusch’s 1986 follow-up to his breakthrough film, Stranger Than Paradise , is a stylish black-and-white prison romp with a sense of humour as offbeat as its perfectly cast stars (John Lurie, Roberto Benigni and singer Tom Waits).
Set, beautifully, in Louisiana, it sees a small-time pimp (Lurie) and a wastrel DJ (Waits) framed and locked in the clink with an irrepressible Italian tourist (guess who?). Mutual irritation merges into grudging friendship, and the wit manages to be both broad and smart, soulful and silly, subtle and raucous, all at the same time.
Devil May Cry review: "Netflix's anime adaptation is dated and clunky, but does capture some of the anarchic spirit of the original games"
Nintendo says the Switch 2 "isn't simply an improved Nintendo Switch, we redesigned the system from the ground up," and after 8 years, I'd sure hope so
Japan's "multi-language" Switch 2 costs 20,000 more yen, or $130 more dollars, than the Japanese-only version
