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Often rated India auteur Satyajit Ray’s finest film, and his own personal favourite, this 1964 adap of a novella by Rabindranath Tagore is set in a stuffily respectable 1880s Calcutta household. Preoccupied editor Bhupati (Shailen Mukherjee) has no idea how bored his lovely wife Charu is – but when his lively young cousin Amal arrives for a visit, suppressed emotions start to churn.
As Charu, Madhabi Mukherjee gives a performance of subtlety and humour, perfectly matched by Soumitra Chatterjee as Amal. So little’s openly stated, so much implied – as in Ray’s own wistfully romantic score.
Ex-Bethesda dev turned indie says "good things often happen by accident," like that time Skyrim players convinced themselves the RPG's foxes were leading them to treasure
Palworld dev says the studio went dark for months because "the team was getting burnt out from all the social media stuff, I was getting burnt out, our CEO was under attack in Japan"
Metaphor: ReFantazio had to dial back an early battle system inspired by a notoriously brutal 2003 JRPG, because 20 years later, players found it "irrational" and "just not fun"
