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Bereaved ballerina Myriam (Martines) falls passionately in love with art forger Pierre (Arditi) while working in Venice. The couple promptly embark on a world trip, only for tragedy to strike when both Pierre and Myriam's eight-year-old son are drowned. She, however, is determined to continue filming their holiday, and goes on to have a life-changing encounter with Canadian futurologist Marc (Hollogne).
Part modern fairytale, part love letter to the director's wife, this is gloriously shot by cinematographer Pierre William Glenn. But the convoluted plotting and arch dialogue hinder any real sense of poignancy. A strong candidate for the year's most overblown French romantic drama.
A new Batman #1 from Matt Fraction and Jorge Jiménez launches this September with a "revamped aesthetic," a throwback costume, and a new Batmobile
Marvel reveals its full slate of May 2025 comics and covers featuring the Avengers, the X-Men, Spider-Man, and more
Former Witcher 3 lead says his new vampire RPG Blood of Dawnwalker has a smaller open world because "it feels more like you actually know the place" compared to "behemoths"
