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In his first period biopic with a big star, unflinching French auteur Bruno Dumont ( L’Humanité ) shows no compromise. That’s thanks in large part to Juliette Binoche’s magnetic portrayal of the titular sculptor, who was institutionalised by her brother. “This is female exploitation,” she rages, rightly: Claudel did not belong in an asylum, a fact stressed by Dumont’s controversial but careful use of disabled non-professionals in support roles.
What emerges is a demanding but hypnotic, probing portrait of an artist denied her art, by a director in total command of his.
I'm 100% sure that Arcane season 2 has introduced the next League of Legends champion, and I can't wait for them
What happened to Jinx at the end of Arcane? A tiny animation detail and a massive throwback could explain Powder's fate
The Final Fantasy 7 Remake team's 10 years working together puts it "in a really great position to move forward and do something even greater" once the trilogy wraps
