Why you can trust 12DOVE Our experts review games, movies and tech over countless hours, so you can choose the best for you. Find out more about our reviews policy.
Catherine Breillat’s move from arthouse provocations to ponderous period dramas continues with this austere, slyly experimental adaptation of Charles Perrault’s grisly classic.
As manipulative young maiden Marie-Catherine (Lola Créton) plots to marry melancholy ogre Bluebeard (Dominique Thomas), the film subtly shifts conventional sexual politics ’til the fearless filly seems to have the whip hand.
Winding round this trad tale are a ’50s pair of quarrelling sisters whose funny, fearful reading of the fairytale determines whether the bloodied bride gets the castle or the chop.
Sadly, the deliberately flat visuals and pared-down staging look more am-dram than arty. If you loved Breillat’s brittle The Last Mistress, this cerebral piece won’t fry your onions.
Dev behind one of 2024's best indie horror games celebrates 1 million soundtrack streams on Spotify: "I can buy like two hot dogs with the revenue"
Dragon Quest 3 remake producer wants Final Fantasy 6 to get the HD-2D treatment because it has "the highest quality pixel art"
James Gunn says "more than one" potentially R-rated DC projects are currently in the works: "Whatever is worthy of the story"
