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When a ballet teacher pushes her students for more “Attack!” in Kenneth Elvebakk’s frustrating documentary about teenage boys yearning for a life in ballet, you know how she feels. Elvebakk follows three Oslo boys as they try to locate their centre of balance. The lads are affable and talented but Elvebakk fails to find his film’s centre: emotion and thrust are largely lacking.
One boy leaves, then he comes back... and so it continues until a final parting occurs with an indifferent shrug. As a window on a world, Ballet Boys is solid. As dramatic exploration, it lacks attack.
Massive Stalker 2 patch starts chipping away at the notoriously glitchy game's worst problems, including over 80 cutscene problems and nearly 2,000 more bugs
Batman V. Superman star Jesse Eisenberg thinks that playing Lex Luthor in the poorly received film "hurt [his] career in a real way"
Preview Grant Morrison and Matt Fraction's one-page horror stories from Ice Cream Man #43
