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The imaginative whimsy of Belleville Rendez-Vous and The Illusionist is both present and correct in Sylvain Chomet’s live-action debut, a gentle charmer with dark elements in which music plays a pivotal role.
So does the mutely expressive Guillaume Gouix, on double duty as both the silent piano prodigy trying to unlock repressed memories and the wrestler father he suspects had a hand in his mother’s death. Tuneful flashbacks supply fantastical punctuation to a film that sees Chomet pay elaborate homage to everyone from Jacques Demy to Marcel Proust.
AGDQ 2025 kicks off this weekend promising Elden Ring on a saxophone and a 6-hour Final Fantasy 7 Rebirth speedrun, but I'm tuning in for two of the worst games ever made
The Witcher 4 has "completely new regions" and monsters, including one the game director calls a "tricky, tricky bastard" that "plays with your own fears"
GTA 6 will double GTA 5 and make $3.2 billion in its first year, analysts say – "The pent-up demand is greater than anything we’ve seen before”
