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Kenneth (played by co-writer and director Adam Deacon) is a bit of a muppet.
Unsatisfied by his job at Laimsbury’s (geddit?), he dreams of building a street rep as a drug dealer and MC – except he’s rubbish at both. Deacon’s energetic performance helps sell this patchy combination of Kidulthood grit and US-style ghetto comedy.
But what really sets the film apart is its OK-to-be-ordinary message, eschewing the usual macho posturing. If hoodie horrors thrive on tabloid fears, then Anuvahood pulls down the hood to reveal a daft, unthreatening kid underneath.
Ex-Bethesda dev turned indie says "good things often happen by accident," like that time Skyrim players convinced themselves the RPG's foxes were leading them to treasure
Palworld dev says the studio went dark for months because "the team was getting burnt out from all the social media stuff, I was getting burnt out, our CEO was under attack in Japan"
Metaphor: ReFantazio had to dial back an early battle system inspired by a notoriously brutal 2003 JRPG, because 20 years later, players found it "irrational" and "just not fun"
