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Bruno Forzani and Hélène Cattet’s baroque Belgian beauty pays homage to ’70s Italian horror but brims with its own sexualised currents of threat and promise.
Sidelining story for a stylised stew of death and desire, it penetrates the fears and fantasies of one girl across three life stages around her family’s seaside mansion.
In childhood, keyholes and corpses spur her imagination; in adolescence, she pouts at bikers; in adulthood, a killer stalks her.
The ravishing direction cuts deepest in this last stretch, with an orgy of eyeballs, blades and flesh so cruelly precise, Argento might approve.
Tired of seeing RTX 5070 out of stock signs? I'd consider this 4K GPU instead
A week after suffering webcam tragedy, blindfolded Super Mario 64 speedrunner casually breaks 3 world records in 4 days: "Another day in the office, another world record"
New movie from the producers of Poor Things is a Gothic fairytale that pays homage to The Haunting of Hill House
