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The ethical and emotional repercussions of war reporting come under fire when photographer Rebecca (Juliette Binoche) is injured on a shoot. Hubby Marcus (Nikolaj Coster-Waldau) urges her to quit – but Rebecca’s compulsion isn’t so easily shrugged off.
Director Erik Poppe’s worthy intentions are nearly undone by an undisciplined screenplay. Still, he marshals two strong performances: Binoche’s subtlety in unpacking her character’s complexity is no surprise, but newcomer Lauryn Canny, as Rebecca’s daughter, matches her co-star’s every beat.
Ex-Bethesda dev turned indie says "good things often happen by accident," like that time Skyrim players convinced themselves the RPG's foxes were leading them to treasure
Palworld dev says the studio went dark for months because "the team was getting burnt out from all the social media stuff, I was getting burnt out, our CEO was under attack in Japan"
Metaphor: ReFantazio had to dial back an early battle system inspired by a notoriously brutal 2003 JRPG, because 20 years later, players found it "irrational" and "just not fun"
