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The ethical and emotional repercussions of war reporting come under fire when photographer Rebecca (Juliette Binoche) is injured on a shoot. Hubby Marcus (Nikolaj Coster-Waldau) urges her to quit – but Rebecca’s compulsion isn’t so easily shrugged off.
Director Erik Poppe’s worthy intentions are nearly undone by an undisciplined screenplay. Still, he marshals two strong performances: Binoche’s subtlety in unpacking her character’s complexity is no surprise, but newcomer Lauryn Canny, as Rebecca’s daughter, matches her co-star’s every beat.
Marvel reveals its full slate of May 2025 comics and covers featuring the Avengers, the X-Men, Spider-Man, and more
Former Witcher 3 lead says his new vampire RPG Blood of Dawnwalker has a smaller open world because "it feels more like you actually know the place" compared to "behemoths"
The Monkey post-credits scene explained: does the new horror movie have a post-credits scene?
